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Fort Kochi

aikyam space

aikyam's own room — open every afternoon, where the community clubs run.


What happened here

  • A large pile of scrap wooden planks and boards is stacked haphazardly on a paved surface, with a single long wooden plank standing upright in front of the pile. Behind the wood, white sacks and cardboard boxes are visible, along with other discarded materials. The ground is made of interlocking paving stones, and a small blue object lies on the pavement near the bottom right.

    Reclaimed wood reaches the carpenter for our first frame batch

    We delivered the reclaimed wood to our carpenter, Mr. Jacob, as we prepare for the first production batch of Preamble frames. The recyclable acrylic sheets have been ordered, but cutting them to the required sizes will take two more days. They are expected to arrive together with the recyclable foam backing sheets, after which production can begin.

  • Two women stand facing each other in a room with tiled flooring. The woman on the left wears a grey patterned tunic with light trousers and gestures with her hands while speaking. The woman on the right wears a blue tunic and trousers, with her back mostly turned, and has her hands placed behind her back. Behind them is a teal armchair beside a small table with a plant, and a staircase with wooden railings is visible on the right side of the room. A framed picture hangs on the wall above a decorative vine, and a doorway leads to another area.

    Creating Hand Gestures to Make Dance Learning Accessible

    Only one student attended today’s class for children with hearing difficulties, as the others were unwell. I gave her individual attention and revised Nattadavu 1, 2 and 3 from the previous class. Today, I began creating my own hand gestures for dance terms and positions such as aramandi (half-sitting), samam (standing) and muzhu mandi (full-sitting). These gestures were not already part of our teaching method; I developed and introduced them to make dance instructions more accessible for my these students. Instead of relying on spoken reminders, I showed the student each gesture and explained the position it represented. She understood the gestures and responded by moving into the corresponding positions. For the last 15 minutes, she joined the other children’s batch to practise the Adavus. I stood near her and gave visual cues as she tried to follow along and dance with the group.

  • A woman stands beside a teal sofa, facing a group of five young children who are standing in a line on a tiled floor. All of them have their hands pressed together in front of them. Behind the children, a wooden staircase ascends against a wall, with a glass railing and framed pictures visible on the upper level.

    Welcoming a New Batch of Young Learners from Ashwasa Bhavan, Fort Kochi

    Today, we began a new batch for four children from Ashwasa Bhavan, Fort Kochi. Their sister brought them to class. At four years old, the children were full of excitement and curiosity about the space and their teacher. It took patience and energy to help them settle, as they were eager to talk and explore. We introduced namaskaram as their first dance practice. With stories and encouragement, the children joined in. Since their attention spans are still developing, we kept the session varied: learning one step at a time, talking together, and exploring hand gestures that represented a bird, a flower and a river. In the final minutes, the children used paints and paper to draw.

  • A group of people sit cross-legged on a tiled floor in a room with painted walls, facing a person who is seated at the front and gesturing with raised hands. The participants, mostly women and children, mirror the gesture with their own hands raised. The walls feature colorful murals, including a large painted hand and figures, and a doorway is visible on the left. A window with a decorative grille is on the back wall, and a small table with items on it stands to the right.

    Learning Together Across Generations

    Today, the children’s batch and the women’s batch came together for class. Some of the children’s mothers are part of the women’s batch, making it a special opportunity for families to share the dance space. Teaching students across such a wide age range was a new challenge for the teachers, so we guided the group through activities everyone could take part in. Together, the students practised Mudras and Thalam. Learning side by side gave children and adults a chance to share the experience, observe one another and connect through dance.

  • A group of people stand in a line inside a room with tiled floors and white walls, all facing away from the camera with their hands on their hips. On the left wall is a large painted mural with blue and orange colors and decorative elements hanging above it. At the far end of the room, a window with a grid pattern lets in light, and a person stands near it. To the right, framed pictures hang on the wall above a wooden bookshelf, and a staircase is visible in the background. A light-colored rug covers part of the floor in the foreground.

    Building Stamina Through Continuous Nattadavu Practice

    Stamina is an important part of dance, and it develops gradually through regular practice from the early stages of learning. In today’s class, our women’s batch (aged 30+) focused on building stamina by practising all the Nattadavus continuously, without stopping, across all three speeds. The students felt tired, but they kept going and completed the practice without giving up. Their determination reflected their dedication to learning dance. Continuous practice helps dancers build the stamina needed to sustain movement and rhythm.

  • Six women are sitting on a tiled floor in a room, each with their hands covering their eyes. They are arranged in a loose semi-circle facing forward. The room has two large windows with decorative grilles, a whiteboard on the wall, and a colorful mural on the right side. The women are wearing various traditional outfits in different colors and patterns.

    Beginning Performance Preparation for the Seniors’ Batch

    We began teaching a dance item to the seniors’ batch in preparation for their performances in February. Preparing students for a performance takes time, practice and continued learning, so we are starting early. Regular rehearsal will help the students become familiar with the item and work towards performing it with confidence and accuracy.

  • A person crouches on a paved surface, using a hand tool to work on a piece of wood resting on a small block. They wear a blue and orange shirt, dark trousers, and sandals. Behind them is a large pile of wooden planks and strips, and a vintage red cart with large metal-spoked wheels.

    Giving reclaimed wood a new story

    We removed nails from the reclaimed wood, preparing it for a new journey as frames for the Preamble to the Indian Constitution. This was a practical step towards giving the wood a new purpose. The wood will next go to our carpenter, Mr. Jacob, along with recyclable acrylic sheets and recyclable foam backing sheets for frame production.

  • On the left is a framed pencil sketch showing a bird, a sun, a window, and other simple drawings with handwritten words. On the right is a book with a blue cover showing a bird in a nest with eggs, leaves, and handwritten words. Both items rest on a wooden surface.

    A Quiet Saturday of Drawing and Making

    We had prepared a full afternoon. The children would begin with a word activity, choose books and read together in pairs, and then work in teams to invent something that could solve a problem they had noticed at home or around Kochi. But this Saturday, just one child arrived. We waited until 2:30 pm in case others were on their way. When no one else came, we asked whether he was happy to stay and what he would like to do. He chose drawing. As he had missed the previous session, the word activity was unfamiliar to him. Instead, he tried the Circles Challenge, turning the empty circles into faces, planets, balls and other pictures. Afterwards, he picked up Lights Out written by Vibha Batra and illustrated by Sahitya Rani, and asked whether he could draw his own version of the cover. We gave him chart paper and colours and let him work. When he finished, we cut strips from black paper and added them around his drawing to make a frame. He was curious about what else we could make, so we tried cutting and folding paper into a small cube. While his hands were busy, we talked. He told us about drawing at school and the prizes he had won. It was not the session we had planned, but it became a quiet afternoon of drawing, making and getting to know one child a little better.

  • A group of women and children stand outdoors on a paved area beneath a translucent roof structure, posing with their hands raised near their heads. They are dressed in colorful traditional clothing, including sarees and dresses in red, yellow, blue, and white. Behind them is a building entrance with greenery visible to the left.

    Dance Together Day: Celebrating a New Milestone

    Today, students from across our batches came together for Dance Together Day. Students of different ages and levels met, danced and celebrated as one community. Students aged 40 and above danced alongside children as young as three years old, making it special to see generations sharing the same dance space. All four teachers were present, and many students came dressed for the occasion. Some students were unable to attend, but those who came brought plenty of joy and energy to the day. We also celebrated a special milestone for students who were ready to progress to the next level: wearing the chilanka (dance bells) for the first time. Teachers tied the bells for the students, and they danced wearing them. This step reflects the students’ growing confidence and their ability to maintain the talam (rhythm) without losing the beat. The day felt like a joyful meetup as students from different batches and age groups shared the dance space. Events like this encourage students to keep learning, give them a chance to connect with one another, and create a happy place to come together through dance

See all 305 activities here